‘Aquaduct’, Susanna Heron

HS Projects developed the public art strategy and project brief for the re-development of The Brunswick Centre on behalf of Allied London. With such an iconic building it was critical to find an artist who could collaborate with the architects Levitt Bernstein Associates and Patrick Hodgkinson to produce a work that relates to the architecture of the building.

Recognising that it was important to address the site as a whole when commissioning the public art, we decided to take an art and architecture approach to re-designing the space to draw people in and create the right environment. Susanna Heron was selected to respond to the site and collaborate on the design with the architects for her ability to work with space and water.  Effective and close collaboration between artist and architects, brought about an effective and practical design for the street. This included, for example, the banding design for the paving to give a for-shortening effect to the ‘street’ to open the space up and draw visitors in.

The collaboration between artist and architects in the design of the public art was supported by Camden Council and local residents. The outcome of their collaboration, a site specific art and architecture approach, contributed greatly to The Brunswick Centre’s successful regeneration both commercially and critically, including the receipt of a number of awards for regeneration and design in 2007.

‘Aquaduct’, 2003-6 encourages population of the central space and creates a ‘sense of place’ between the flights of flats on either side. The central line of the space, punctuated by large scale trees and cafe tables is marked by a series of stainless steel troughs channeling fast flowing water towards a large pool. These invented objects have the characteristics of something utilitarian, industrial, out-of-doors and man-made; they rest under their own weight, their surfaces unrefined. The steel is folded to reduce the need for welds making curves easy to lean over and a continuous structural ‘skin’ which gives it strength.

A rectangular pool is situated at the T-junction between Curzon Bloomsbury and the central space. The container for the pool is low enough to encourage people to sit together along the edges. The container is similarly angled and rests on the ground to trap the water in its frame.  Circular lights, set flush within the pool-base, are illuminated at night appearing to float beneath the surface whilst by day the water draws in the sky. ‘This is a choreographic work, enabling people to sit and walk about, introducing natural elements of flowing water and reflected light by day and at night’ – Susanna Heron.

Regeneration and Renewal Awards 2007: best Heritage-led Project.

HS Projects commissioned ‘Aquaduct’, 2003-6 on behalf of Allied London. ‘Aquaduct’ is located in The Bruswick Centre, Bloomsbury London.

‘Granite Sculpture II’, Tim Harrisson

For ‘Granite Sculpture II’, Tim Harrisson responded to Michael Manser’s new terminal building for Southampton Airport, the geography of the South Downs, the ancient history of the area and the impression of take-off and landing.

‘I wanted to complement the fine horizontal structure of the new terminal building by the architect Michael Manser and so convey a visual impression of ascent and descent. My main aim was to capture the idea and physical experience of movement, reflecting the dynamic view of landscape both as we see its physical surface and its underlying geological structure. By selecting granite, this allowed me to tap into the hidden geological forms which shape and continue to slowly re-mould the landscape we live in and move through. The way a landscape ‘appears’ to change as we actually look at it, either from sea, land or air, is also echoed in the piece as one moves around it, or indeed from above a plane which is landing or taking off, each different viewpoint dramatically altering our viewpoint and visual perception of the work.’

We managed the commission process from concept through to completion. Working closely with our client, we established the opportunities and constraints of the commission, developed the artist’s brief and managed the artist selection process, design, fabrication, site preparation, installation and opening.

We commissioned ‘Granite Sculpture II’ in 1995 on behalf of Southampton Airport, Hampshire.

‘Flight Structure Part II’, Sandra Blow

HS Projects was appointed by Heathrow to re-locate ‘Flight Structure’ by Sandra Blow, R.A. (1925 – 2006) to the Compass Centre, Heathrow’s new Head Office, in 2013. Working in close collaboration with Heathrow and BDP Architects, we examined a number of locations for ‘Flight Structure’ and identified a site on the ground floor in the East Block.

‘Flight Structure’ first underwent extensive restoration by Mike Smith Studios, including upgrading the lighting system from fluorescent to LED, complete re-wiring, and replacement of the stainless steel facia panels, re-configuring the work from wall based to free-standing. It was installed into the ground floor of the Compass Centre East Block, forming a focal point visible from the centre of the building and functioning as an architectural screen between the cafe seating area and kitchenette, thus maintaining Blow’s original consideration for the screen to have an element of functionality.

The shape and dimensions of ‘Flight Structure’ were originally determined by the Terminal 3 departures hall’s security gateway for passengers to move airside. These architectural references are typical of Blow’s work, especially since her collaboration with the architect Eric Defty in the 1970’s.

This commission being Blow’s only large scale experimentation with glass, forms an important part of the artist’s body of work. According to the artist herself: ‘Flight Structure is balanced to give the sense of a secure enclosure, whilst the luminous, coloured glass panels lift off into animation and gaiety,…with colours running across the top, taking off into flight.’

HS Projects re-located ‘Flight Structure’ to the Compass Centre in 2013.