‘Be Like Mike’, Chris Cawkwell

HS Projects is delighted to present ‘Be Like Mike’, an exhibition of new and recent work by Chris Cawkwell.

‘athletes around the world, we all have a crazy dream?
but, what are you gonna do to accomplish your crazy dream? you see, not all of us have eyes to see
not all of us have feet to walk
not all of us have hands to hold
but I know all of us have a heart of gold
so, what area you gonna do to accomplish your crazy dream? what are you gonna do?
’cause I know what I’m gonna do
I’m gonna do it
so, Just Do It’
– Demarjay Smith, NIKE ‘Just Do It’ campaign, June 2018

Nike is ubiquitous with basketball thanks to celebrity brand incarnate Michael Jordan. As brands continue to make inroads into the public domain through sponsorships of state schools, community sports teams and public space – swooshes and ‘Just Do It.’ slogans are a common place; adorning billboards; trainers; clothes; basketball courts; buildings; Instagram feeds (and navels).

Be Like Mike explores the material plenitude of brands such as Nike, and how the brand has transcended sport to encompass lifestyle choice(s) and politics. It is no longer a choice of this brand or that brand, we are buying into the dream, and the dream of celebrity such as Michael Jordan. The dream that our lives will somehow be enriched, even though we are poorer having spent our money.

Cawkwell’s work explores global marketing and consumer culture utilising contemporary technologies, performative and interactive elements to critique the social systems and processes which operate around us and highlight the rate at which products are consumed and commodified.

Born in Leicester 1985, Chris Cawkwell graduated with a Masters in Fine Art from Wimbledon College of Art in 2012. He has exhibited nationally and internationally, including Vandal, The Fitzrovia Gallery, London (2023); The Exhibition, The Artists Contemporary, Hackney Downs Studios, London (2021); You Are What You Eat, Bohunk Institute, Nottingham (2016); Tokyo Wonder Site’s creator in residence program (2012); Project India (Asia Arts Projects & the 1%-ers art collective (2011). Cawkwell has completed residency programs at the Bohunk Institute, Nottingham, in preparation for solo show Sensorama (2013); Tokyo Wonder Site, Aoyama, (2012); Space 118, Mumbai, (2011). His work forms part of the permanent collection at Space 118. He is a founding member and director of non-profit, artist-led space (and collective) ArtLacuna, based in Clapham Junction, London.

 

‘Be Like Mike’ is at 12 Hammersmith Grove from July 2023 to February 2024.

 

 

 

 

‘Forcibly Bewitched’, Cullinan Richards

HS Projects is delighted to present Forcibly Bewitched by Cullinan Richards, an edition of prints from an ongoing series of works on paper exploring variations on the grid and triangle, doubling and oscillating between ghosts of figuration and a feminine abstraction. This image extends the repeated triangle patterns into a forest scene inhabited by floating abstracted figures. 

Weaving a feminine narrative around temporality and the act of looking, Cullinan Richards’ work is a mix of documentation that melds with fiction and lived personal histories to question the position of the artwork. 

Charlotte Cullinan (b.1959 UK) and Jeanine Richards (b.1968 UK) have been working together since 1998 and are known for their large-scale interventions positioning painting as part of a wider mise-en-scene. 

The inevitable doubling that occurs between them has developed into a highly personal visual language borrowing from film, stories and expressionist painting reflecting a particularly feminine relationship to the medium of paint. 

Forcibly Bewitched 

Silk screen print on archival paper 

70 x 100 cms

Signed edition of 29 (black and silver) 

Signed edition of 30 (green and silver)

Cullinan Richards have exhibited nationally and internationally, including: EndGame, Secci Gallery, Pietrosanta, Italy (2023); Positions Part One, Alma Pearl Gallery, London (2023); Being Sassy, dispari & dispari project, Berlin (2018); Shadowed Forms, Andersen’s Contemporary, Copenhagen (2018); Being Sassy, Charles H Scott Gallery, Vancouver BC (2017); Of Other Spaces, Cooper Gallery, Dundee (2016); Dora, Stanley Picker Gallery, London (2015); Paradigm Store, Howick Place, London (2014).

Cullinan Richards were selected as part of the British Art Show 7: Nottingham Castle Museum, Nottingham; Hayward Gallery, London; Tramway, Glasgow; Royal William Yard, Plymouth (2011) touring exhibition.

Cullinan Richards have completed residency programs at Jute Museum & Cooper Gallery (2016), CCA Artists-in-Residence Program, CCA Adratx, Mallorca, Spain (2013) and Positions, Laing Art Gallery, Newcastle (2010).

‘Forcibly Bewitched’ was at 5 Marble Arch from July 2023 to January 2024.  

‘Devotional Songs’, Rosie Edwards

HS Projects is delighted to present Devotional Songs, an exhibition of new and recent work by the 2022 Mark Tanner Sculpture Award recipient, Rosie Edwards.

Devotional Songs is an installation of loosely assembled elements that have all been wrapped in twine, by hand, by the artist. On display, here are forms born of the artist’s most recent findings: pop–up laundry baskets, a bundle of hula hoops, a discarded hose, cardboard tubes, empty yarn cones. The serendipitous encounter with such objects outside their intended context, reveals them in a new light. Freed from the limitations of their previously assigned function, they are released into the realm of pure material – of sculpture. The finding of these ready-made ‘gifts’, insights a glimmer of the miraculous which causes a stirring in the artist: a sort of spiritual communion in which objects appear to proclaim an answer to a question not yet had, and which seem to propose a challenge – which the artist devoutly obliges.

The wrapping or winding of these components in twine is a repetitive process. It is a disciplined, ascetic act: the optic pattern drawn across each surface is evidence of time spent in communion. The continuous rhythm of winding, though laborious, calms the mind. As the optic pattern begins to form, one enters into its groove: surface thoughts and worries slip away, allowing the mind to dance and play unhindered, creating a transcendental charge between the object and the maker.

Devotional Songs can be seen as a ‘combined intention’, or Sankalpa, formed not by the heart and mind but between the artist and objects. This installation sees a departure from the artist’s previous plaster sculptures. Made largely at home, after dark, they have a different energy, a greater intimacy. The individual structures, which make up this installation, are sculpturally light, insubstantial, their improvised nature and simple phrasing more akin to dance or drawing than sculpture. The collective hum of these quiet voices, chimeric and vibrating – as if in the process of transforming – is perhaps a calling towards a lighter way of being.

Edwards sees her sculptural practice as a collaboration with found objects, pure geometries and external limiting factors. She seeks to outsource creative decisions by following the prompts held within the objects and forms she encounters, which impart their own formatting or logic. Operating within this guise of extreme neutrality (quashing her own intentions), she follows their leads. In doing so, Edwards challenges the power of Objective Chance to reveal its teaching and gives voice to the poetry of its code.

Rosie Edwards studied BA Fine Art Textiles at Goldsmiths College, London (2002-2005) and MA Mixed Media Textiles at Royal College of Art, London (2010-2012). Recent solo exhibitions include: Genetic Material, Mark Tanner Sculpture Award Exhibition, Bury Art Museum and Sculpture Centre / Standpoint Gallery, London / Cross Lane Projects, Kendal (2022) touring solo show; A Real Job, Wearite clothing factory, Tottenham, London (2018); Light Materialty, Second Home, Hanbury Street, London ((2014); Everything Must Go!, Thomas Brothers DIY, Archway, London (2014); Hoard, A Million Miles a Minute; Windows project, Archway, London, Commissioned by Arts Council England and A.I.R. (2013).

‘Devotional Songs’ is at Howick Place from June 2023 to December 2023.